JJA Member News: March 2018

Jazz journalism is alive and well, as JJA members are getting their news and views about the music out in every media platform — locally, nationally and internationally.We never sleep! See the most recent publications and other work reported by the extremely active members of the Jazz Journalists Association after the jump. If you’re a JJA member and want your recent activities included in the next installment of Member Updates, send a brief paragraph beginning with your name to membernews@jazzjournalists.org by April 3, 2018.

Dan Bilawsky reviewed new albums from Joanna Wallfisch, Leslie Pintchik, Dave Pietro, Noah Preminger/Frank Carlberg, Omar Sosa, and various other artists for All About Jazz. Last month also saw the publication of his reviews of new albums from Dave Bennett, Wayne Escoffery, Florian Hoefner, Mario Pavone’s Dialect Trio, and Dr. Lonnie Smith for JazzTimes.  In addition, Dan covered Dave Douglas’ Dizzy Atmosphere at JALC for JazzTimes’ website.

Stephanie J. Castillo is celebrating the official U.S./Canada release of her acclaimed documentary Thomas Chapin: Night Bird Song. On March 20, the film and a Special Edition DVD will be available on ITunes and other streaming platforms. A new website to support the film’s release is at www.nightbirdsongfilm.com.

Ken Franckling photographed and wrote an overview of personal highlights aboard the 2018 edition of The Jazz Cruise for his Jazz Notes blog. He also blogged about two February concerts in Southwest Florida: a Veronica Swift/Jeff Rupert quartet performance in Port Charlotte and a Dick Hyman-Ken Peplowski “Symphony of Broadway”-themed concert with a 47-piece orchestra in Venice, FL.

James Hale profiled Toronto-based drummer Nick Fraser for DownBeat and wrote about guitarist Stephane Wrembel’s Django Experiment III for SoundStageXperience.com.

Patrick Hinely has made his photographic debut on the London Jazz News site, with a previously-unpublished 1983 portrait of Michael Gibbs, publication of which came by an unlikely but fortuitous route, a story unto itself that can be gleaned from the comments appended to John Watson’s piece about a Gibbs gig on the LJN site.
C. Andrew Hovan has recently been heard playing drum set again around Northeast Ohio working regularly with guitarist Bob Niederriter and Columbus organist Jon Eshelman.  He has also been heard with Tony Monaco and will be at Hope College the second weekend in March to cover their 2nd Annual Jazz Organ Summit for allaboutjazz.com.
Robin Lloyd dissected the Latin Jazz category of the Grammys, interviewed saxophonist Joshua Redman, previewed David Sánchez’s new project Caribe, and hosted the Rumba Kings‘ second live KNKX Studio Session. Robin continues to host Mid Day Jazz and Jazz Caliente on KNKX-FM.
Ken McCarthy is celebrating the 10th anniversary of  JazzontheTube.com, the biggest curated and searchable database of a classic jazz videos available for free streaming. “We’ve been continuing our outreach to the jazz community in Cuba and have been continuously active in fundraising for musicians in Puerto Rico.”
Steve Monroe‘s February Jazz Avenues for East of the River print and capitalcommunitynews.com editions included a remembrance of Black Jazz History in D.C., including notable music makers James Reese Europe and Will Marion Cook, a preview of a tribute for D.C. legend Buck Hill, and a tribute by Randy Weston for Europe, a preview of the Mid-Atlantic Jazz Festival and a remembrance of the recently departed pianist Reuben Brown.
Bob Porter will speak to the Duke Ellington Society on March 15 at St. Peters Church, 54th and Lexington Avenue in Manhattan at 7 p.m. He will be talking about the Ellington band of the mid-40s through the 60s as discussed in his book SOUL JAZZ. He will be doing a book signing at the Blues Foundation Hall of Fame in Memphis on May 9 at 1pm.
Pablo Reyes started this year with good news: He was selected among the Jazz World Photo finalists. During the month of March he will be in Prague to accompany the start of the traveling exhibition in Europe.

Lew Shaw continued his coverage of jazz-oriented museums with a visit to the Museum of Making Music in Carlsbad, California. The Museum presents the storied history of music instruments and products – from invention to creation to market – and is based in the headquarters of NAMM. Among the interesting exhibits currently on display is the piano in use at Ford’s Theatre in Washington, D.C. on the night that President Abraham Lincoln was assassinated – April 14, 1865.

Jeroen de Valk has been planning a concert on June 1, 2018, opening a local festival in a hotel close to the location where Chet Baker died, thirty years ago. We’ll concentrate on his music: from the early Mulligan days to the dynamite Tokyo concert in 1987. In the band are de Valk; John Engels, who worked with Chet in Japan; and other Chet veterans.

Michael J. West‘s weekly picks feature, Jazz Setlist, made a happy return to Washington City Paper this month after four months at Washingtonian magazine. He is also continuing with his new WCP column Crescendo in Blue, which this month looked at the local jazz smorgasbord known as the Mid Atlantic Jazz Festival.

Jim Wilke personally declared “Live Jazz on Radio” month in February, which also included World Radio Day on February 13.  Jazz Northwest broadcasts in January on KNKX were devoted to Jim’s live-on-location recordings of performances by Julian Priester, Sean Jones, Tia Fuller, Overton Berry, Thomas Marriott, Susan Pascal and Pete Christlieb.  These shows and others are available for streaming at jazznw.org.

Member Updates are edited by Michael J. WestUse our JJA Member Directories to find JJA members qualified to contribute to your publication or production or to assist you with your jazz-related project. The directories can be searched by name, area of expertise and geographic location.

If you aren’t a JJA Member yet, consider joining us. Membership is open to both Professional Journalists (writers, bloggers, photographers, videographers, web producers and others who cover jazz) and Industry Associates (musicians, educators, presenters, promoters and others who work in the industry and support our work.)

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