A few days ago I conducted a Zoom interview with the noted Norwegian musician John Pål Inderberg. I was interested to learn how the lockdown was affecting the musicians there, as Norway took a preemptive approach, much like my own country. [Ed. note: John Fenton blogs regularly at https://jazzlocal32.com/]
Norway moved decisively to head off the COVID-19 disaster and normal life was temporarily placed on hold. Inderberg lost over 30 concerts overnight but his government stepped in with an income package which provided 80% of earnings based on the previous three years’ receipts. Musicians along with everyone else were entitled to this.
That course of action happily yielded positive results and low risk concerts are now on the horizon for them. John Pål, over the years has toured and played with many greats including Warne Marsh and Chet Baker, and for a while he was in Gil Evans’ European orchestra. He had many insights to share and his account of a long and fruitful association with the late Lee Konitz was especially poignant.
In the interview, about 30 minute in length, we learn how Konitz and Marsh combined differing approaches to improvisation and how Konitz was no fan of close mic’ing. We learn that Lee Konitz liked to swim on his back and towards his feet. But I was particularly intrigued by John Pål’s recounting of a time spent studying in East Germany during the Cold War years. The course was titled ‘Socialistic Music Aesthetics.”
“We learned the right music and not the right-wing music,” he recounts. There were many left-wing musicians in the Norway of Inderberg’s youth, and so a left wing approach to music was felt to be important.
Interviews with good talkers are the best sort and especially when they tell quirky stories. Our countries share political views but also a love of off-beat humour.
My interviewee’s latest trio album, titled Radio Inderberg, is crisp and beautiful and I have included a clip from that. He has been credited in over 100 albums; a favourite of mine is his 2007 album titled Live in Oslo with Lee Konitz.
Håkon Mjåset Johansen, drums.
The lockdowns won’t stop jazz! To assist musicians who’ve had performances cancelled, get their music heard around the globe. There Jazz Journalists Association created a Jazz on Lockdown: Hear it Here community blog. for more, click through to https://news.jazzjournalists.org/catagory/jazz-on-lockdown/
