Editor’s Note: Willard Jenkins is a journalist, arts consultant and presenter, co-author of African Rhythms: The Autobiography of Randy Weston, and instigating co-founder and former vice president of the JJA. As keeper of the blog The Independent Ear, Jenkins has instituted a series called “Ain’t But a Few of Us,” in which he poses questions to an array … [read more]
All About Jazz-New York, billed as “the city’s only homegrown jazz gazette,” will be changing its name to The New York City Jazz Record. The change becomes effective with the publication’s March 2011 issue, according to a press release issued by Managing Editor Laurence Donohue-Greene and Production Manager Andrey Henkin.
All About Jazz-New York, a free monthly … [read more]
Cuadernos de Jazz, the 20-year-old, six-issues-annually, Madrid-based music magazine, has given up print and announced that its remaining staff — “young, fresh blood,” according to outgoing editor Chema García Martínez — will sustain the publication online.
With articles in its final issue about the Spanish trio TríEZ, Vijay Iyer, John Hollenbeck (whose Claudia Quartet performed at the San Sebastian … [read more]
Risen from the ashes of IAJE under the auspices and hard work of Dr. Lou Fischer and Mary Jo Papich and their loyal board in St. Louis, the Jazz Education Network held its second conference in New … [read more]
Panama is not known for its jazz scene, and currently there isn’t really a conversation about jazz in the small Central American nation. But Danilo Pérez, through his stewardship of the Panama Jazz Festival and the Danilo Pérez Foundation, is beginning to impact and slowly change this reality by attracting world-class talent and institutionalizing community-oriented music projects.
As a journalist … [read more]
At the Jazz Journalists Association’s “New Media for New Jazz” conference, two town hall-style forums focused on how jazz journalists and presenters and musicians can work together for the good of all, and especially for the good of the music. Part of the impetus for this discussion was the JJA’s new video project, eyeJAZZ (www.eyejazz.tv) in which journalists will be … [read more]
[Editor’s note: This piece is in reply to Howard Mandel’s book review, posted December 20, 2010.]
Let’s start with what my book is about. It recounts how several jazz writers from the late 1930s (the dawn of jazz writing) to the present day have attempted to impose extra-musical agendas on the music. The book meticulously documents the many … [read more]
On January 10, 2011, the Library of Congress announced its acquisition of a trove of recorded music from the vaults of Universal Music Group (UMG), spanning the years 1926-1948. The New York Times recently ran a story by Larry Rohter on the acquisition.
What is the true significance of this “mile of music”? We asked the JJA’s Larry Appelbaum, jazz … [read more]
“Jazz Video Guy” Bret Primack, an eyeJAZZ instructor, explains the eyeJAZZ Training Program in this video, made with the same pocket camera that will be used in the program. Here’s how YOU can apply. Applications accepted until February 15.
New York, January 13, 2011 — On Saturday, January 8, members of the JJA as well as interested musicians and industry representatives slowly kept trickling shortly after what was supposed to be an 11:00 a.m. start time for a discussion on the prospects for long-form journalism. (The tardiness possibly because of too much fun at the previous night’s Winter Jazzfest.)… [read more]